Monday, February 20, 2012

Authors as Food

Sorry it's been so long. Been busy as hell. But the wait is over. Was it worth the wait? You decide.

My friends Stuart Taylor (https://twitter.com/#!/HelloAmericans) and Justin D. DeVane (http://thoughts47night.tumblr.com, https://twitter.com/#!/thoughts47night) wrote an intriguing piece comparing authors to food. This is their story. These are the pictures their story inspired me to draw (in MS Paint).



"Southern writer Flannery O’Connor’s short stories are like pistachios. Sometimes it’s tough to get into them. But when you do, you’re likely to over-consume. And though you’ll feel queasy once you’ve finished, you’ll be craving more."

"Fitzgerald’s The Great Gatsby is the perfect expression of his thematic interests: love lost, rich people juxtaposed to poor people, dreams dying. Heinz ketchup is the perfect expression of ketchup, but people and companies keep trying to make a better ketchup. Just like Fitzgerald kept writing and rewriting about the same ideas, themes and situations, long after he had already perfectly expressed them."

"Ernest Hemingway is mustard. This Nobel laureate inspired a school of literary theory and his own genre to boot. Likewise, his spice-based equivalent has yielded some of the finest condiments to grace our sandwiches. While the derivatives may be delectable and easy to consume, the foundation from which they came are a chore to get through."

"Contemporary poet Dorianne Laux’s poems are like a bite of dark chocolate. There’s the moon hovering above us and there’s the mother defending her dead son, the violent son, the one who lied and stole. There’s vacation sex and there’s the homeless couple in an empty parking lot. There’s a teenager’s first job at fourteen and there’s his father being slowly worn down by a combination of cancer and chemotherapy. Just like that bite of dark chocolate, eighty percent, eighty-five, there is the sweet and there is the bitter and in Laux’s work, it is all given a kind of beauty."


"Spaghetti. Stephen King is spaghetti. Both are probably best enjoyed when you’re young and your tastes are still developing. Nothing spectacular about either and Americans probably consume both more than they should, but every now and then, you just get one of those cravings and nothing else will satisfy it. Banality never tasted so good."

"Most people only remember Shirley Jackson for her short story 'The Lottery.' Most people only remember garbanzo beans as that vague space between French-style green beans and black-eyed peas on the grocery store shelves. But the truth is garbanzo beans are a wonderful source of protein, fiber, iron, magnesium, potassium, and zinc and can be added to a number of dishes with a few minutes prep time. And the truth is Shirley Jackson wrote dozens of solid short stories, and what could be the best horror novel of the 20th century, The Haunting of Hill House. For all that, they’re both woefully under-appreciated."

"Cormac McCarthy: veal. Something innocent was slaughtered in the making and, generally speaking, the more blood there is, the better. It can be difficult to get through the whole thing sometimes, yet some mysterious force compels you to power through it. When you’re done, you take a cold shower to keep yourself for a while as you digest the carnage (both literally and figuratively)."

"Key lime pie is one of my favorite pies. The thing about them though is that key limes have to be used to give them the right flavor. Key limes have a thinner rind than normal limes, making them more perishable, and key lime trees are thorny as hell. But the taste is more tart than a normal lime, and the aroma is sweeter, lending the key lime pie its unique flavor. Toni Morrison, author of Beloved, Song of Solomon, and The Bluest Eye crafts stories that, if written by anyone else but her, would lose their unique flavor, their aromatic sweetness, that mix of tart taste with a small hint of sugar."

"William Faulkner? Barbeque. Slow and Low works for both of them. They can get really messy if you’re not careful, but if you take your time and enjoy all the subtleties and nuances, then it’ll probably be one of the greatest things you’ve ever had. Also, you’ll probably want to take a nap afterwards."

"Henry David Thoreau is beans. Plain beans. Maybe with a little salt. Maybe cooked, maybe raw. Have you read Walden? We’ll be lucky to get salt."


- Daniel J DeMersseman


http://no-fun-intended.blogspot.com/


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Sunday, December 25, 2011

Hey Christmas, you heard about my new blog?

I've never liked Christmas but I've always enjoyed drawing and music and didn't feel like writing a long blog here so here: a comic I drew and a song I wrote and performed. Song's not particularly Christmasy, but it's slightly Jesus-y. Well, it has "Jesus" in it anyway so enjoy.






- Daniel J DeMersseman


http://no-fun-intended.blogspot.com/




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Thursday, November 24, 2011

Junkyard Strokes

 Don't worry. I'm a vegetarian. I guess that still doesn't un-kill you though.

Ever heard of Deviantart? No? It’s only, like the biggest online social network for artists. Kind of a Facebook for artists, I suppose. And by Facebook for artists, I mean the number of people on Facebook who think themselves socially well-adjusted is nearly proportional to the number on Deviantart who think themselves great artists, meaning a lot more than actually are. So sometimes when I’m feeling lonely/depressed I’ll browse mediocre art on Deviantart for hours* until I feel better, only I feel worse because I just spent hours looking at people’s mediocre art to make myself feel better.

Another way I like to make myself feel better is beating up kindergarteners.** I’m pretty sure I beat up a kindergartener. Granted, I was six, and he probably deserved it. Plus, how else was I going to vent my hatred for kindergarten?

Well, one time, our class was instructed to draw pictures of ourselves. Naturally, I drew a picture of Arnold Schwarzenegger, complete with bubble-muscles, dots for eyes, and a curve for a smile. I didn’t make high marks for following rules that year—they didn’t reward creativity where I went to school, only how well you memorized Bible verses.

Luckily, I went to a public school in first grade. And met one of my best teachers. And one of my best friends. And figured out how to excel in school and still create art the way I wanted to.
I drew during all my breaks/teachers’ lectures (in high school, I used those times to sleep). Then, I’d pass my drawings around class, as per my classmates’ requests, and everyone would tell me how talented I was. Of course, in my mind, I was already the most amazing artist that ever lived but appreciated the praise regardless (when you’ve grow up with Rob Liefeld-drawn comics, it’s not hard to imagine you’re a better artist).

Thankfully, high school gave me a wakeup call. I’d met a few aspiring artists and creative types along the way but in high school, we were the ones who largely filled up the art classes.  Moreover, my teachers schooled us on a lot of old masters as well as recent great art.

My delusions of grandeur began suddenly dissolving—I wasn’t the greatest artist of all time and had better work my ass off if I wanted any recognition whatsoever amidst all the other great art already created. Of course, I was naturally talented enough and likeable enough that my art teachers gave me A’s even when some pieces were only half-finished or barely even attempted. It was too much work so I became a Psych major as soon as I left high school and entered college.

I’d learned from my father that a man could ignore all the rules, never fully committing to anything or anyone, and rely on natural talent to become relatively successful in life. They had a word for his untrained talent on the tennis court—junkyard strokes—even if the other guys on the court were mostly just jealous. Well, it worked until he started to realize he wasn’t invincible, when he started getting older, his health started failing, he got divorced, and he started feeling suicidal. That’s when he practically had to rethink and rebuild himself the last five years of his life (which he did surprisingly well).

Meanwhile, I’d discovered Internet forums, Napster, and three-to-five-hour nights of sleep so I didn’t have much time to be creative anymore. Plus, college didn’t suck nearly as much as high school—I was vaguely challenged now. After an amazing 1101 class with Professor Fred Morris , I knew I wanted to become an English major and, after trying to kill myself not many years later, I knew I was going to become a writer. So the unfinished art continued piling up, and my writing was clever but near-completely irrelevant. Suicide was a wakeup call in an oncoming train’s horns and headlights, a call to become more serious about my life.

I figured I’d continue in school, honing my writing until it was worth something. Then, my cousin died, my cousin who’d always frequently, sincerely, and vocally believed in me no matter what I pursued, be it drawing, writing, making bad rap songs, anything. There was no one else I’d wanted more to make proud, and he was gone.

Second-most important was to prove myself to my father whose approval seemed near-impossible to gain, but he died a couple months later. With my gods toppled, I had only myself to prove myself to when, less than a year later, another fell. My best-friend-since-childhood’s mother died. She was the first adult to truly treat me like an adult, to actually engage my critical thinking. With her gone, I realized I had one thing left in life to do: follow my heart above all else.

During that death-fest and ever since, I’ve worked tirelessly to transform myself and my work. As many beers and grueling hours as it took to write my heart on paper, I had to do it. And after I’d poured out enough of myself, I rediscovered drawing.

This was a practice piece to help me get back into art. It's a drawing
of some scantily clad woman in an ad in Men's Health magazine.
Also, my hair-drawing skills could use some work.

I watched a lot of my friends creating art when I wasn’t, and it made me somewhat jealous. Then, I started looking through all my old drawings. There was a lot right but a lot wrong because, for all my skill, I always held back. Maybe it was fear of success or maybe a desire to look better with how much I could accomplish with so little work or maybe both. Regardless, I’d relied on junkyard strokes, leaving lightly shaded artwork that mostly captured the essence of its inspiration but could’ve been much more striking with more and darker shades where needed.

I was afraid to strike too hard, to ruin anything beautiful, anything I’d already put so much work into, afraid to offend, afraid of anything I might be unable to erase, afraid of burning bridges, and that was true of all of my life. But not every scenario or person in life was meant to be won, and I realize that now.

So today, I’m thankful for all the friends and family who helped me through, for exercise, beer, and art, which do wonders for managing stress. I’m thankful for my family making ornery ol’ me look normal sometimes. Here’s to creating more and (much better) art because, after years of all-but-ignoring it, I’ve realized it’s more fulfilling even than music and writing.


*This is a joke. I actually browse through/seek out all the good art on there because I find it more inspiring.

**I still don’t like kindergarteners but I don’t beat them up anymore, if I even beat up that one kid. That year’s still kind of hazy.


- Daniel J DeMersseman



http://no-fun-intended.blogspot.com/

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